John Virtue is a British artist known for his massive black and white paintings that he executes from a unique medium of ink mixed with shellac. His initial research involves making hundreds of on-site drawings. From this material he builds his evocative paintings in the studio. Virtue’s most celebrated series, 13 large-scale paintings of the London skyline, was carried out over two years from a studio in the National Gallery in London.
“The thing about London is that everybody knows, or thinks they know, these buildings. But the more you look at them, the more mysterious they become, so the more fascinating they become.
I would draw there, and then I would draw there. That would be one morning, and then I would do one part another morning… and so on, and I’d build them up sequentially; and then I’d mix them all up and I’d bring them all in here, and they inform the way you work and it helps you to be very free. It was phenomenally exciting, and stimulating, and refreshing, every day to get up and go and draw what you say are very, very famous and iconic buildings, and bring all that material in here and go to work.
I’ve never felt any need to put in cranes, and buses, and cars, and airplanes – the noise, if you like, of London. I like using it for my own ends which is to make abstract compositions, but from the way I perceive the world. The monochromatic way of working tallies exactly with the way I look at… the world. It’s a way of seeing that resonates, rather than a way of seeing that is comfortable or is referential to other things.
The basic materials, and they have been for the last twenty-six years, is a black ink mixed with shellac. I use titanium acrylic and I like working onto the raw canvas because I can bleed the image in; I like the idea of the image impressing itself into the canvas, and then I use rags, and my hands, all kinds of brushes, quite indiscriminately, quite promiscuously, in what I’ll use to try and get an effect.”